![]() In fact even Haseena interprets her role with a very laboured attempt at slow dialogue delivery. Both the characters _ the Public Prosecutor (Roshni Satham) and the defense counsel Keshwani (Rajesh Tailang) do not give the role enough. The film revolves around the criminal case bricked around Haseena. The characters in the film are all brought in to shoot kill and intimidate. Dawood is shown as a person who is compelled by the gang wars of Mumbai to become the king of the underworld and the finger pointing to his involvement in the bomb blasts is presented without the conviction that the allegations have a basis. Both and several siblings in the family are portrayed as victims of poverty and situational compulsions. It deals with the life of the sister of Dawood Ibrahim. Where he fails is the unwillingness or the lack of enough gall to go the whole hog. Both as a film maker and even otherwise this he is surely entitled to. There surely is an attempt to eulogise the central character. He is willing to wound, but afraid to strike. ![]() It is about how filmmaker Apoorva Lakhia perceives the character. This is not placing the blame at the door step of Shradha Kapoor. Haseena is from the other end of the gamut. Simran was all about casting going right. A week after Kangana did Simran you come to realise the importance of casting. ![]()
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